Illustrator & Artist:
a.) ”Illustration for Scientific American for an article about possible lingering side-effects of anaesthesia.”
"A painting for “Brink”, Antler Gallery’s benefit show for the Audubon Society of Portland."
c.) ”Illustration for "Friends ‘Til The End" by Bethany Neal on Tor.com”
d.) ”Lesser Florican”
"Part of Light Grey Art Lab’s Macro & Micro exhibition."
e.) "Filling in the Gaps"
"As our knowledge of the brain becomes more comprehensive it seems like the idea of the soul exists only in the gaps of our understanding."
Different Types of Opals
Andamooka Rough Opal
Raw Fire Opal
Tree Fossil with Opal Rings
SOURCE & MORE IMAGES
THESE ALL LOOK LIKE STONES MARVEL SUPERHEROS WOULD FIGHT OVER
I can’t believe that this is stop-motion.
I CAN’T UNDERSTAND FUCKING STOP-MOTION THOSE FINGERS SHOULD FALL RIGHT OFF BUT NO THEY SUPPORT THEMSELVES BEAUTIFULLY
WHAT THE ACTUALLY FUCK STOP MOTION
The fingers are being supported by armature wire. Virtually all stop motion puppets have some variety of this going on underneath it:
Given the proportions of Burton’s creations, the armatures underneath his puppets are probably custom-made.
What you’re also looking at is a ton of replacement animation on that teddy bear. Instead of actually tearing open the bear model, someone, or a few people, carefully crafted a handful of that specific bear at various stages of being cut open. If you look closely, the slab it’s on moves slightly, which gives itself away.
Also, Jack’s speaking is done through replacement animation.
Stop motion utterly fascinates me.
GOD BLESS YOU
THIS IS THE THING I DONT GET ABOUT STOP MOTION
YOU HAVE TO PHYSICALLY MOVE THE DOLLS WITH UR HANDS AND REPLACE THEIR FACES //HOW DO YOU KEEP THEM IN THE SAME SPOT??????//
stop motion people are crazy
Locked Out Of Heaven (Bruno Mars Cover)
Someone needs to lock Bastille in the studio until they’ve successfully covered every song in the Western Pop Canon.